These designers came to exert enormous influence on the course of American architecture, but none more so than Mies.

这些设计师对美国建筑的进程产生了巨大的影响，但最重要的一位是密斯。

Mies said, "God is in the details".

密斯说过：“细节就是上帝。”

All articles in the window are-mies.

橱窗里的物品都是模型。

But God, as Mies liked to say, is in the details.

但是，上帝，因为密斯喜欢说，在细节。

I don't recognize myself when I pronounce my blasphemy-mies from the pulpit.

当我在讲坛上说出那些亵渎神的话时，我并不认识我自己。

This thesis is devoted to a research on steel architectures since Mies Van DerRohn.

本论文是对于密斯以来世界范围内钢铁建筑的研究。

It is said that Mies rarely asked for anybody's opinion, but was always eager to hear hers.

据说，密斯很少问任何人的想法，但是却乐意听取她的建议。

Ludwig Mies van der Rohe once said: "Architecture is the will of an epoch translated into space".

密斯。凡。德罗曾经说过：“建筑就是将一个时代的意愿转换为空间。”

The momentum for a smart grid continues to build. But God, as Mies liked to say, is in the details.

智能电网的建设仍将继续，但正如密斯喜欢说的，上帝即细节。

Turn a corner and encounter art: The"Mies van der Rohe With a Cigar" mural is on 919 N. 5th Street.

费城壁画图片。拐过街角偶然碰到艺术：这“密斯凡德罗和一支雪茄烟”壁画是在919北第5街。

The key to these problems is to establish an effective administrative structure in these compa- mies.

解决代理人问题的关键在于建立有效的公司治理结构。

Finished in 1968, the New National Gallery is Mies van der Rohe's last and arguably most modernist work.

在1968年完工的国家美术馆可以说是密斯凡德罗最后的也是最现代的作品。

Ludwig Mies van der Rohe, a master modernist, filled its Chicago campus with simple rectangular buildings.

一个名叫路德维格。密斯凡德罗的现代派设计师将这所大学的芝加哥学院设计成充满了简单的正方形建筑群。

Modernism, as defined by le Corbusier and Mies van der Rohe has itself become a style that is widely copied.

由勒“柯布西耶和密斯·凡德罗定义的现代主义成为了自己独特的风格，并且被广泛模仿。”

With the Farnsworth house constructed about 100 feet from the Fox River, Mies recognized the dangers of flooding.

由于住宅离福克斯河约100英尺远，密斯考虑到了洪水的潜在威胁。

Three of the five black buildings were designed by Ludwig Mies van der Rohe and were built in the late 1960s and early 1970s.

五个黑色建筑物中的三个由Ludwig Mies van der Rohe设计，与20世纪60年代末期十年到初建成。

The practical application indicates that MIES has great practical value, high performance, good stability and flexibility.

实际应用结果表明，MIES运行稳定，性能良好，具有较好的可扩展性和较高的实用价值。

During the war Reich took on a few small jobs, but her 12-year partnership with Mies ended when he left for America in 1937.

二战期间瑞克接手了一些小型的工作，1937年，密斯离开德国前往美国，瑞克和密斯长达12年的合作关系就此结束。

Shortly after, Mies appointed Reich as the director of building/finishing at the Bauhaus school, which he was at the helm of.

不久之后，密斯任命瑞克为他所创立的包豪斯学校建筑和装饰方面的主管。

Ludwig Mies van der Rohe and Philip Johnson rejected "bourgeois" ornamentation when they designed the Seagram Building in New York City.

建筑师密斯·范·德·罗厄和菲利浦·约翰逊在设计纽约的西格·莱姆大厦时摒弃了庸俗的装饰风格。

"Less is more", which is the architect Mies van DE Luoti out in the design of simple principle, and oppose the idea of over-decoration.

这是建筑师米斯·凡德洛提出的，在设计原则上提倡简单，反对过度装饰的理念。

Many of Mies Van der Rohe's most famous works, particularly in the area of furniture design, would not have been possible without this woman.

密斯·凡·德罗很多著名的设计作品，特别是在家具设计领域，莉莉·瑞克功不可没。

The design objective, design principle and architecture of MIES are described, while the partition and design of the function modules are presented.

论述了MIES的设计目标、设计原则以及总体架构，并讨论了各功能模块的划分和设计。

Hovering in a green landscape, the Farnsworth House by Ludwig Mies van der Rohe is often celebrated as his most perfect expression of the International Style.

“悬停”于一片绿色之中，建筑师密斯·范·德·罗厄设计的范斯沃斯住宅是对他“国际风格”的完美表达，并因此倍受赞誉。

It is more the glass of Chareau than the glass of Mies, milky and luminous and with a reasonable insulation-value and structural performance. It is surprisingly inexpensive.

这种玻璃更加类似于皮埃尔·沙鲁而非密斯所使用的玻璃——乳白色，透光性好，同时还具备了合理的保温值和结构性能，造价却低得惊人。

As Mies stated on his achievement, "if you view nature through the glass walls of the Farnsworth House, it gains a more profound significance than if viewed from the outside."

像密斯所说的那样，“如果能在住宅里欣赏到大自然的美景，意义就比直接置身大自然要深远得多。”

It incorporates many of the devices used by Modernist architects like Mies van der Rohe and Frank Lloyd Wright, from horizontal ribbon Windows, to a simplistic rendered facade.

这座建筑包涵了许多现代主义建筑师如密斯凡·德罗、弗兰克·劳埃德·赖特等人的惯用手法：从水平带型窗到极简化的立面。

And yet when I look back at the Pavilion by Mies Van Der Roe, it is in essence very similar to what we see today in architecture, albeit transgressed a bit perhaps through involution.

然而，当我回头去看密斯·凡·德·罗设计的亭子，在本质上它和我们今天所看到的建筑依然类似，或许它还是看起来样式老旧了。