查询
1 词典释义:
jameson
时间: 2025-05-25 11:50:44

n. [姓氏]詹姆士

双语例句
  • Jameson himself reminds us of the dangers.

    詹姆逊自己也提醒我们这其中的危险。

  • In the game, Kyle was voiced by actor Nick Jameson.

    在游戏中,演员尼克·詹姆森为凯尔配音。

  • "I don't think I would get past the front door," Mr Jameson says.

    Jameson先生说:“我想今天我可能连大门都进不去。”

  • There was only one person besides Ford who knew Julia Jameson.

    除了福特以外,只有一个人认识朱莉娅娅·詹姆森。

  • Betty Jameson was another woman important in the world of sports.

    贝蒂·詹姆森是另一名女子在体育世界的重要。

  • Betty Jameson died in two thousand nine. She was eighty-nine years old.

    贝蒂·詹姆森于2009年去逝,享年89岁。

  • Jameson agrees and additionally calls for a "back to basics" auditing approach.

    Jameson同意增加“回到最基础部份”的审计方法。

  • The LPGA gained the attention of many news organizations. They considered Jameson and others to be beautiful women.

    LPGA引起了许多新闻媒体的注意,他们认为詹姆森这一帮女人都是非常漂亮的女性。

  • Today we tell about two women who helped change the world of sports, golfer Betty Jameson and basketball coach Kay Yow.

    今天,我们讲述两个女人谁帮助改变了体育界,高尔夫球和篮球教练贝蒂詹姆逊凯佑。

  • For dispelling the pessimism of the people this space causes, Jameson introduces such ideal mode of "cognitive mapping".

    为了消除这种空间带给人们的悲观主义,詹姆逊引入“认知绘图”这种理想模式。

  • As Jameson says, these two dangers at the first level are the danger of structuralism and the danger of vulgar materialism.

    正如詹姆逊所说,第一层次的这两种危险,是结构主义的危险,和庸俗唯物主义的危险。

  • Finally, Jameson connects history with text, and constructs himself culture and hermeneutic system: three concentric circles.

    最后,詹姆逊打通了历史与文本,形成自己的文化阐释系统:三个同心圆。

  • There were also much leakage gap within the interpretation framework of three concentric circles which was cherished by Jameson.

    为詹姆逊甚为自得的三个同心圆阐释框架内部也存在着不少的漏隙。

  • The post-colonial-criticism in China actually comes from two theoretical sources: the theory of Fredric Jameson and the theory of Edward W.

    中国后殖民批评的理论源头有两个:杰姆逊和赛义德。

  • Jameson gives a very good example of because part of the mystery of these clashes is that they always present themselves within a Shared code.

    詹姆逊举了一个很好的例子,因为这些矛盾的神秘之处部分在于,它们通过共有的编码来展现自己。

  • It's in that context that Jameson is dropping these particular names non-chronological markers of the emergence of realism in its modern form.

    因此詹姆逊列出了这些人物,将他们作为,现代形式下的现实主义产生的,并非按时间顺序排列的标志性人物。

  • Now a reified realist approach to Tony, the kind that Jameson criticizes on the sheet, would point out that nothing happens to Neato and Speedy.

    詹姆逊在这篇文章中批评了这种方法,用这种方法,我们能够得出,没有事情发生在Neato和Speedy身上的结论。

  • Jameson asserts that internal auditors should develop an understanding of financial statements and provide a complementary and concurrent check.

    Jameson称,内审师应该开发一种优秀的财务报表并提供互补互助的审计方式。

  • The last part evaluates Jameson "s mass culture theory and points out that it may serve as reference to our contemporary cultural undertakings."

    第五部分评价詹明信的大众文化理论,并指出其对我国当前大众文化建设的参考意义。

  • For the handful of archaic words which Jameson USES (USES repeatedly, in many cases), a short glossary has been provided on the final page of each libretto.

    对于詹姆逊使用的为数不多的陈旧过时的话(很多情况下重复使用)已在每本的最后一页作了汇总。

  • Roman colonnades are mixed with Georgian windows, and so on. Jameson believes tha this schizophrenia comes about as a result of a refusal to think historically.

    罗马式柱廊混合乔治王时代的窗饰,如此种种。詹姆森坚信这种分裂性是拒绝运用历史眼光思考问题的后果。

  • The common complaint is that it is outdated and incomprehensible; yet the old-fashioned style which Jameson adopts is in conscious imitation of Wagner's equally old-fashioned German.

    最常见的批评是它旧式的表达方式,这使得它很难理解,以及它老式的风格,詹姆逊采用的是与瓦格纳的老式德语一样的风格。

  • Absorbing some psychoanalysis points of view, Jameson thinks that dialectical criticism should demonstrate the content of literary works, suppressed unconsciousness and original experience.

    詹姆逊吸收了精神分析学的某些观点,认为“辨证的批评”应当显示文艺作品的内容,揭示被压抑的无意识和原始经验。

  • Firstly, Jameson regards history as ultimate context of his poetics of culture and hermeneutic, thinking all literary culture texts can be interpreted better only in the history of totality.

    首先,詹姆逊将历史视为其文化阐释诗学的终极视域,认为一切文学文化文本,只有放置在总体性的历史之中,才能得到更好地说明。

  • The paper receives Fredric Jameson' describe about the post-modern stage—which is the disappearance of the model of depth—in the analysis of the experience and the forms of post-modern time.

    在对后现代时间经验和样态的浅析浅析中,文章基本接受了詹明信对后现代时期的描述:深度模式的消失。