SALOME: What a strange voice!

多么奇怪的声音！

I command thee to dance, Salome.

希律王：我命令你跳舞， 莎乐美。

HEROD: Dance for me Salome.

莎乐美，给我跳个舞吧。

SALOME: I am not tired. Tetrarch.

主公，我不累了。

SALOME: I am not hungry Tetrarch.

主公，我不饿。

SALOME: How sweet is the air here!

这里的空气多么甜美啊！

SALOME: I am not thirsty Tetrarch.

主公，我不渴。

SALOME: Who was that who cried out?

在那叫喊的人是谁？

SALOME: Ah the prophet!

噢，先知！

SALOME: Is he an old man this prophet?

这名先知，是个老头吗？

SALOME: Ah but he is terrible he is terrible!

啊 他太可怕了，他太可怕了！

SALOME: It is of my mother that he is speaking.

他说的正是我的母亲。

HEROD: Salome daughter of Herodias dance for me.

莎乐美，希罗蒂的女儿，给我跳舞。

SALOME: Yes: it is of my mother that he is speaking.

是的，他说的正是我的母亲。

[Fruits are brought] Salome come and eat fruits with me.

莎乐美，来陪我吃点水果。

[wine is brought] Salome come drink a little wine with me.

莎乐美，来陪我喝一杯。

I remember that I saw that he looked languorously at Salome.

我记得，我看到过，他忧郁地看着莎乐美。

A minute later the head of John was handed to the frightened Salome.

不大会儿，约翰的首级就交给了的莎乐美。

Unfazed, Karajan managed to stage such major works as Strauss's Salome and Wagner's Die Meistersinger.

但卡拉扬以他无畏的精神仍上演了如施特劳斯的萨洛米和瓦格纳的歌者这样一些大型作品。

Karita Mattila as Salome, photographed by Richard Avedon, from "Mysteries of Love," in the issue of April 5, 2004.

莎乐美式的卡丽塔·马蒂拉，理查德·阿维顿摄影，来自“爱的奥秘”，刊登于2004年5月5日。

I soon realized that fooling Salome Bey was one thing, but faking a story for Essence, a national magazine, was impossible.

很快，我就意识到，(写篇东西)糊弄salome Bey是一回事儿，但想编个故事对付全国性刊物《精髓》则根本不可能。

40some women were watching from a distance. Among them were Mary Magdalene, Mary the mother of James the younger and of Joses, and Salome.

还有些妇女远远地观看，内中有抹大拉的马利亚，又有小雅各和约西的母亲马利亚，并有撒罗米。

In the latter half of the 19 th century, the image of Salome was altered through the collective efforts of a group of writers, artists and musicians.

19世纪后半叶的一批作家、画家和音乐家，几乎是集体地改写了莎乐美的形象。