Typical Viennese operetta. musical by far are

在致力于典型的维也纳轻歌剧。古典音乐会

The operetta is a pastiche of 18th century style.

轻喜剧是18世纪风格的集合体。

It preludes the Silver Age of Viennese operetta, enhances the position of dancing and folk music in operetta and diversifies the operetta styles.

它揭开了维也纳轻歌剧银色时代的序幕，提高了舞蹈、民间音乐在轻歌剧中的地位，促使轻歌剧向风格多元化的道路上发展。

The Merry Widow is an excellent work of Franz Lehar, a milestone in the history of Viennese operetta and a gem of the operetta.

《风流寡妇》是雷哈尔的一部佳作，是维也纳轻歌剧发展史上一座里程碑，是轻歌剧中的瑰宝。

In his adopted country his family ran a Spanish operetta troupe.

在他的第二祖国，家人经营一个西班牙轻歌剧团。

The operetta is considered to have originated in the 1850s in Paris by the composer Jacques Offenbach.

轻歌剧是于1850年代，由奥芬巴赫在巴黎创作而起。

In a time when mass media was restricted to print and live performance an operetta like La Mascotte was enough to launch a new word into English.

在一个大众传媒仅限于纸质出版物的年代，像“吉祥物”这样的一出歌剧已足以为英文词汇添丁了。

The musical grew as two streams converged: operetta with its old-world romance, and vaudeville with its zippy comedy and thoroughly popular roots.

音乐剧的成长伴随着两种潮流的融合，带有古典传奇色彩的轻歌剧以及带有活泼喜剧和流行节奏特色的轻音乐戏剧。

Taking fun to work, students rehearse for an operetta in a bucket factory, where they share the life of workers while undergoing ideological training.

为给工作带来娱乐，学员们在一家制桶工厂排练一声小歌剧，在那里他们体验工人的生活，同时接受思想改造。

Right at the end of 1880 an operetta called La Mascotte played first in French and then in English in 1881 introducing the English speaking world to the word mascot.

就在1880年底的当儿，一出名为“吉祥物”的独幕小歌剧以法语首演，并随后于1881年用英语演出，从而将“mascot”一词引入英语国家。